Folk Music as Foucault’s Primary text:

Repetition as ‘Simple Recitation’

“its permanence, its status as discourse ever capable of being brought up to date, the multiple or hidden meanings with which it is credited, the reticence and wealth it is believe to contain, all this creates an open possibility for discussion. On the other hand , whatever the techniques employed, commentary’s only role is to say finally, what has silently been articulated deep down.”



L’ordre du discours Paris 1971

h.y. Gellir ailadrodd yr alaw, ond ai dim on efelychu dwysder y gwreiddiol gall hyn ei wneud?

One response to “Folk Music as Foucault’s Primary text:

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